Analysis of the French Ambassadors

Holbeins piece of the French Ambassadors (23-11) depicts cardinal people standing in what seems to be an office or study. unrivaled man, the one on the left(a) seems to be a patron or round sort of a wealthy man. You faeces key out by the clothes he is wearing and how much more dignified he looks than from the man on his right. The landowner has a fancy coat lined with some sort of fur. He has on some jewelry, a necklace, hanging from his neck. In his right hand he seems to be holding some considerate of instrument showing he is an educated man.His present is rendered with more realism than his peer on the right. He to a fault seems to be bit more lively in spirit. The landowner is leaning upon a remit that is loaded with many other instruments for collecting data. These tools atomic number 18 symbols that these two men arent your ordinary popular folk, they are more like scholars and have curiosities about many different things in life as what was a main theme of the Rena issance. The globes on the display panels indicate an interest in astronomy and geology.It could also be a reference to Nicholas Copernicus a Renaissance astronomer who was the first to theorize that the earth wasnt the shopping center of the universe. Other instruments on the table indicate interests in mathematics, as there seems to be some stop object with numbers and angles maybe referring to geometry. Also on the table there is a mandolin signifying that not barely are these two just purely scholars, but lively entertaining people or culturally diverse people.Another object on the table has to be the open books, which seem to be journals or diaries of some sort because of how there is a feather pen marking a spot in one. On the table there is a mantle but to me it looks more than just a decorative pattern for protection of a table but a tapestry of some sort. Above and privy the men and the table is a green patterned curtain. The drapery on the curtain causes your eyes to hunt down downward upon to the men and the table. The man on the right is dressed in black robes, clothing of a clergyman with a pair of gloves in his hand.If the clothes arent enough, he also has the white soupcon that all Catholic members of the church wear. The lighting in this painting is coming from the left as you can tell from how the landowners face seems to be more brightly lit than the clergymans. also you can tell by how on the clergymans side the painting gets gradually darker. One important thing about this painting is also the face of the gentlemen. In a way it seems as if two different artists of different caliber painted the faces. The landowners face looks loquent and beautiful, while the clergymans face looks simple and without much enthusiasm.The biggest concept of this depict has to be the grayish line of some sort raceway through the ground. This object is an anamorphic image and the most interesting part of this painting. An anamorphic image is a distorted image that is only viewable from a certain angle or through a mirror. When looking at the painting from a lower angle and tilting your head towards the left you see an image of a skull. This skull is a symbol that can mean two different things.One is the study of sciences of the tender body as there is no evidence of studying the human body is shown on the table that is supposed to represent education. The skull shows that the ponderings of the science of the human body bring these two men together. Another interpretation for the symbol of the skull is to remind the viewer that even with all these great advancements and breakthroughs that man is still mortal and ultimately one will die. The theme at first that I got was that men of the renaissance were greatly implicated in the fine arts and education.Once looking at the painting more in perspicacity and various times I see that that is just scratching the surface. The theme for this painting is how even though the Church and Landowners/nobility and wealthy were of such different social classes and distinctions, and even though they had many differences, they were brought together by their thirst for knowledge about everything they could imagine of. This theme comes through how the two men are leaning on the table full of symbols of education and higher learning showing their interests in it.